17th May, 2023 11:00
Modern Art & Design
174
Estelle Thompson (b.1960)
Littoral Ground, 1989
indistinctly signed and dated (to reverse)
oil on canvas
30.5 x 30.5cm.
Provenance:
The collection of Paul Whitfield (1942–2018).
Paul Whitfield’s distinguished auctioneering career began in the furniture department at Christie’s in 1965 rising quickly through the ranks to become managing director at King Street by 1969. Later, he was instrumental in the setting up of Christie’s South Kensington. He was the son of the poet and writer Christopher Whitfield, an early friend of Michael Cardew in the 1920s, and a supporter of Frederick Landseer Griggs.
After Christie’s, he worked in roles at Bonhams, Sotheby’s, and finally Phillips. Passionate about his craft, he had a deep knowledge of many areas, including bronzes, furniture, ceramics, and modern British painting. This passion was reflected in his own collection, avidly compiled over his lifetime and housed at his Cotswold home outside Chipping Campden.
In retirement, he provided invaluable support to the north Cotswolds’ museums, as a trustee of the Guild of Handicraft Trust and the Court Barn Museum, as well as loaning works of art to the Winchcombe archive collection.
Sold for £300
Estimated at £100 - £200
Estelle Thompson (b.1960)
Littoral Ground, 1989
indistinctly signed and dated (to reverse)
oil on canvas
30.5 x 30.5cm.
Provenance:
The collection of Paul Whitfield (1942–2018).
Paul Whitfield’s distinguished auctioneering career began in the furniture department at Christie’s in 1965 rising quickly through the ranks to become managing director at King Street by 1969. Later, he was instrumental in the setting up of Christie’s South Kensington. He was the son of the poet and writer Christopher Whitfield, an early friend of Michael Cardew in the 1920s, and a supporter of Frederick Landseer Griggs.
After Christie’s, he worked in roles at Bonhams, Sotheby’s, and finally Phillips. Passionate about his craft, he had a deep knowledge of many areas, including bronzes, furniture, ceramics, and modern British painting. This passion was reflected in his own collection, avidly compiled over his lifetime and housed at his Cotswold home outside Chipping Campden.
In retirement, he provided invaluable support to the north Cotswolds’ museums, as a trustee of the Guild of Handicraft Trust and the Court Barn Museum, as well as loaning works of art to the Winchcombe archive collection.
Looks like the canvas has had a slight knock as there is a small indentation above the lighter green square. This has not pierced the canvas and there is no paint loss. Otherwise appears good with strong colours.
Disclaimer: whilst we seek to describe lots accurately, it may be impractical for us to carry out exhaustive due diligence on each lot. Prospective buyers are given ample opportunities to view and inspect before any sale and they (and any independent experts on their behalf) must satisfy themselves as to the accuracy of any description applied to a lot. Prospective buyers also bid on the understanding that, inevitably, representations or statements by us as to authorship, origin, date, age, provenance, condition or estimated selling price involve matters of opinion.
Auction: Modern Art & Design, 17th May, 2023
Viewing
Friday 12 May - 9am to 5pm
Saturday 13 May - 9am to 1pm
Monday 15 May - 9am to 5pm
Tuesday 16 May - 9am to 5pm
Public attendance on sale day is permitted for this auction
